Art Is Not Plagiarism Or Revolution - 1128 Words

UNIVERSITY OF CHICAGO EXTENDED ESSAY 4 â€Å"Art is either plagiarism or revolution.† –Paul Gauguin. What is your â€Å"art†? Is it plagiarism or revolution? Add a mustache and a beard to the Mona Lisa--it becomes L.H.O.O.Q., a Dada piece of art by Marcel Duchamp. Assemble a bicycle seat and handlebars--it becomes Bull s Head, a found object artwork by Pablo Picasso. The creation of such works, which directly borrow ideas or actual parts of another work, can be considered plagiarism, but that assumption leads one to question the meaning of plagiarism, and, of course, the meaning of art. Plagiarism most often connotes to borrowing or copying someone else s work or idea, but such a definition is superficial, considering only the outlines of its implications. Plagiarism originates from the root word plagiare-, which means to kidnap. Thus, in its original context, plagiarism refers to the theft, the kidnapping, of intellectual possessions. Is art an intellectual possession? Art is much more than that. It is a means of communication, of self-expression, of a profound union between the body and mind. The creation of art places ideas of the past in new contexts and encourages entire political and social movements, as in the case of Dadaism, Cubism, and other Modernist movements. Art simply cannot be stolen, since a means of self-expression is a natural right, the natural right to pursuit of happiness. This indicates that art is not plagiarism, but is a revolution, stirringShow MoreRelatedThe Internet Of Things Is Defined1705 Words   |  7 Pagesthe works of art. Specifically, giving attention to materialities of the overall internet of things, mainly focus on the complexities of the individual’s material and media lives and this will enable an emergence of new practices that would be beneficial to art and designs across the globe.. Materiality, art and the internet of things Material objects and consumer goods have been in the world of art since 1960. 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Have more freedom-â€Å"A spiritual revolution of art, science, and in the exploration of the world which today, people are certainly have much more personal freedom than their renaissance era counterparts.† a.ii. Better educated students because we have greater communication with teachers andRead MoreHistorical Typefaces And Stanley Morison967 Words   |  4 Pages(Lommen, 2001, p. 110) Typography is an art form all on its own, and while all artwork may not contain typography, all of typography is art. The Necessity in Graphic Design When looking at all typography as art, one is often surprised by the extent that includes. Whether original work is possible is often questioned once the realization of design history is considered. But knowing the roots of design is necessary to avoid reinvention, no less inadvertent plagiarism. (Golec, 2015, p. 91) The introductionRead MoreThe Controversy of Marcel Duchamp Essay855 Words   |  4 Pages One of the most unique figures in the continuum of the art world, Marcel Duchamp changed the way we look at and produce art today. Marcel Duchamp was by far, one of the most controversial figures in art. Two of the most well known and talked about pieces by him are The Fountain and The Bride Stripped Bare by her Bachelors, Even . Duchamp created many other pieces that caught the attention of critics, other artists, and the population in a negative way; however, these two pieces alone, brought aboutRead MoreReadymade Art Essay1113 Words   |  5 PagesIn 1915 the concept of †Å"readymade† art was introduced by Marcel Duchamp when he took an ordinary snow shovel and painted the title In advance of the broken arm. He had previously turned a wheel up-side down and attached it to a stool, creating a piece he called Bicycle wheel. This was also considered a â€Å"readymade.† A â€Å"readymade† by Duchamp is â€Å"an ordinary object elevated to the dignity of a work of art by the mere choice of an artist.† Duchamp produced many of these â€Å"readymades,† but it his readymadeRead MoreCopy Article On Copy Right Law1931 Words   |  8 Pagesinspirations and may look at others’ works. Sometimes the boundary between â€Å"inspiration† and â€Å"copy† is really vague. Is there a way to define ownership in fashion industry? This paper discusses why fast fashion brands like ZARA take no responsibility for plagiarism and appropriated trends started by independent designers.   Copyright law is designed to protect literary and artistic works was well as innovation such as the trademark signs and symbols. Those aspect may not be applied to fashion industry. AccordingRead MoreAnalysis Of Lawrence Lessig s Remix : Making Art And Commerce Thrive1448 Words   |  6 Pagesdominant creative strategy in contemporary art and design, particularly fortified by Postmodernity. Martino Gamper, sister duo Soda_Jerk and Glenn Brown are significant artists in this ‘remix culture’ that redefine the way the world is perceived through the reproduction and recyclability of their works and the works of others. Remix culture, or ‘read-write culture’ , lets people generate â€Å"art as readily as they consume it† . In Lawrence Lessig’s book Remix: Making Art and Commerce Thrive in the Hybrid EconomyRead MoreEssay on The Gutenberg Press1248 Words   |  5 PagesGermany, nine in France, eight in Spain and Holland, and four in England. The Gutenberg Press remained the standard method for printing until the 20th century. The Gutenberg Press is known for creating a revolution in the production of books, and for also for initiating rapid development in science, art and religion through the communication of text. Johannes Gutenberg is best known for his invention of the printing press, otherwise known as the Gutenberg Press, an innovative printing machine, whichRead MoreHofstede cultural dimension: spain1888 Words   |  8 Pagesmy own work and contains no Plagiarism. By submitting this assignment, I agree to the following terms: Any text, diagrams or other material copied from other sources (including, but not limited to, books, journals and the internet) have been clearly acknowledged and referenced as such in the text. These details are then confirmed by a fuller reference in the bibliography. I have read the sections on referencing and plagiarism in the handbook or in the WIT Plagiarism policy and I understand that